TY - JOUR
T1 - The Dagulf Psalter (Austrian National Library Cod. 1861)
T2 - A Multi-Analytical Approach to Study Inks, Dyes, and Pigments of this Early Carolingian Manuscript
AU - Jembrih-Simbürger, Dubravka
AU - Vetter, Wilfried
AU - Hofmann, Christa
AU - Aceto, Maurizio
AU - Rainer, Thomas
N1 - Publisher Copyright:
© 2024 Walter de Gruyter GmbH, Berlin/Boston.
PY - 2024/9/1
Y1 - 2024/9/1
N2 - The Dagulf Psalter is a precious Carolingian manuscript on calf parchment, dated to 793-795. Its unique and high historical value required a non-invasive, multi-analytical approach to gain insights into the material composition of gold and silver inks, pigments, and dyes used for writing and illuminations. Elemental mapping based on X-ray fluorescence analysis (XRF), Fibre Optics Reflectance Spectroscopy (FORS) measurements, and hyperspectral imaging (HSI) gave complementary information on colour media and their brilliant shades. Knowledge of the material composition of inks, dyes, and pigments is of crucial importance not only for art historical research, but also for the preservation of the manuscript, as it is known that among other factors, silver inks and some pigments can lead to deterioration of parchment supports. The purple dye orchil and blue indigo were used for painted backgrounds on the initial folios. Lapis lazuli was found in decorative frames on these folios. Orchil, indigo, and lapis lazuli also appear in decorations of small initials throughout the manuscript. Red lead, ochre, cinnabar, orpiment, and lead white were also found in various painted details. Gold and silver inks of high purity were identified. The proof of chlorine in the silver ink indicates the presence of corrosion products.
AB - The Dagulf Psalter is a precious Carolingian manuscript on calf parchment, dated to 793-795. Its unique and high historical value required a non-invasive, multi-analytical approach to gain insights into the material composition of gold and silver inks, pigments, and dyes used for writing and illuminations. Elemental mapping based on X-ray fluorescence analysis (XRF), Fibre Optics Reflectance Spectroscopy (FORS) measurements, and hyperspectral imaging (HSI) gave complementary information on colour media and their brilliant shades. Knowledge of the material composition of inks, dyes, and pigments is of crucial importance not only for art historical research, but also for the preservation of the manuscript, as it is known that among other factors, silver inks and some pigments can lead to deterioration of parchment supports. The purple dye orchil and blue indigo were used for painted backgrounds on the initial folios. Lapis lazuli was found in decorative frames on these folios. Orchil, indigo, and lapis lazuli also appear in decorations of small initials throughout the manuscript. Red lead, ochre, cinnabar, orpiment, and lead white were also found in various painted details. Gold and silver inks of high purity were identified. The proof of chlorine in the silver ink indicates the presence of corrosion products.
KW - XRF elemental distribution maps
KW - dyes
KW - fibre optics reflectance spectroscopy (FORS)
KW - gold and silver inks
KW - hyperspectral imaging (HSI)
KW - pigments
UR - http://www.scopus.com/inward/record.url?scp=85190362887&partnerID=8YFLogxK
U2 - 10.1515/res-2023-0026
DO - 10.1515/res-2023-0026
M3 - Article
SN - 0034-5806
VL - 45
SP - 173
EP - 190
JO - Restaurator
JF - Restaurator
IS - 2-3
ER -