TY - JOUR
T1 - Non-invasive study of Early Medieval wall paintings in the churches of St. Stephan in Chur and St. Martin in Disentis (Switzerland)
AU - Moretti, P.
AU - Piqué, F.
AU - Ocampo, A. I. Giraldo
AU - ACETO, Maurizio
AU - Villa, L.
AU - Cassitti, P.
AU - Cavallo, G.
PY - 2024
Y1 - 2024
N2 - The Early Medieval wall paintings preserved in historical sites of the ancient Raetia Curiensis region (today’s Swiss Canton of Grisons and parts of Northern Italy and Austria) provide a rare testimony of the art
of this period.
This contribution presents the results of the non-invasive scientific campaigns carried out in the
churches of St. Stephan in Chur and St. Martin in Disentis/Mustér (Canton of Grisons, Switzerland). In the
church of St. Stephan, the investigations were performed in-situ on the surviving wall paintings of the
crypt and on several painted plaster fragments (crypt and upper church), while in Disentis a selection
of painted stucco fragments was studied. All the painted surfaces were firstly examined with technical
photography in visible, infrared, and ultraviolet ranges, followed by portable spectroscopic point analyses
(i.e. HH-XRF, FORS, and FTIR). The findings revealed the composition of most pigments such as iron-based
pigments (yellow and red ochres, green earth) and lead-based pigments (i.e., lead white and red lead).
In addition, for the St. Stephan’s site, the Visible Induced IR Luminescence (VIL) images combined with
point analyses, allowed for the identification of Egyptian blue (EB). Furthermore, the presence of zinc in
the wall paintings of the crypt of St. Stephan and the absence of this element in those referable to the
upper church, suggested differences in the procurement of copper for the manufacture of EB. The presence of arsenic and lead in iron-bearing pigments detected in the wall paintings of the crypt and their
negligible amount in those of the upper church, suggested that these pigments come from a different
sourcing area.
In the church of St. Martin, the use of different pigments for the execution of the incarnate of the
figures, the extraordinary state of conservation of minium, and the absence of green and blue pigments
are remarkable features of the stucco decoration paintings.
AB - The Early Medieval wall paintings preserved in historical sites of the ancient Raetia Curiensis region (today’s Swiss Canton of Grisons and parts of Northern Italy and Austria) provide a rare testimony of the art
of this period.
This contribution presents the results of the non-invasive scientific campaigns carried out in the
churches of St. Stephan in Chur and St. Martin in Disentis/Mustér (Canton of Grisons, Switzerland). In the
church of St. Stephan, the investigations were performed in-situ on the surviving wall paintings of the
crypt and on several painted plaster fragments (crypt and upper church), while in Disentis a selection
of painted stucco fragments was studied. All the painted surfaces were firstly examined with technical
photography in visible, infrared, and ultraviolet ranges, followed by portable spectroscopic point analyses
(i.e. HH-XRF, FORS, and FTIR). The findings revealed the composition of most pigments such as iron-based
pigments (yellow and red ochres, green earth) and lead-based pigments (i.e., lead white and red lead).
In addition, for the St. Stephan’s site, the Visible Induced IR Luminescence (VIL) images combined with
point analyses, allowed for the identification of Egyptian blue (EB). Furthermore, the presence of zinc in
the wall paintings of the crypt of St. Stephan and the absence of this element in those referable to the
upper church, suggested differences in the procurement of copper for the manufacture of EB. The presence of arsenic and lead in iron-bearing pigments detected in the wall paintings of the crypt and their
negligible amount in those of the upper church, suggested that these pigments come from a different
sourcing area.
In the church of St. Martin, the use of different pigments for the execution of the incarnate of the
figures, the extraordinary state of conservation of minium, and the absence of green and blue pigments
are remarkable features of the stucco decoration paintings.
KW - Early Medieval wall paintings
KW - Natural and artificial pigments
KW - Non-invasive investigation
KW - Painting technique
KW - Early Medieval wall paintings
KW - Natural and artificial pigments
KW - Non-invasive investigation
KW - Painting technique
UR - https://iris.uniupo.it/handle/11579/177422
U2 - 10.1016/j.culher.2024.03.019
DO - 10.1016/j.culher.2024.03.019
M3 - Article
SN - 1296-2074
VL - 67
SP - 368
EP - 376
JO - Journal of Cultural Heritage
JF - Journal of Cultural Heritage
ER -