La fealdad masculina en la escritura épico-narrativa de Lope de Vega

Risultato della ricerca: Capitolo in libro/report/atti di convegnoContributo in volume (Capitolo o Saggio)peer review

Abstract

[Machine translation] The beauty of Angélica del Fénix offers us a series of suggestive portraits of male deformity that accompany and complement the most abundant vignettes on the topic of ugly women. And since in the underlying paradigm the Polyphemus model is present in all of them, it is understandable that in his old age Lope de Vega gives us the face and the cross of the mythical character, without forgetting that in the medium the Fable of Polyphemus and Galatea de Góngora has been unveiled, which represents a masterful countermodel of epic-narrative poetry. Therefore, the Polyphemus of La Circe, as well as the Marramaquiz-Garfiñanto binomial of La Gatomaquie, are nothing more than Phoenix's sly response to the Gongorino challenge, being a parody and self-parody of a motive, that of male ugliness, that had intrigued the writer from Madrid since his younger years, without imagining that, despite his regret, he would have given rise to the composition of one of the most complex and formal culteran works of auricular letters.
Titolo tradotto del contributo[Machine translation] Male ugliness in Lope de Vega's epic-narrative writing
Lingua originaleSpagnolo
Titolo della pubblicazione ospite"Que todo lo feo es malo y bueno todo lo hermoso". Aproximaciones a la estética de lo feo en Lope de Vega
EditoreLIT VERLAG
Pagine19-38
Numero di pagine20
ISBN (stampa)9783643147448
Stato di pubblicazionePubblicato - 2020

Keywords

  • Fábula de Polifemo y Galatea
  • Góngora
  • La Circe
  • La hermosura de Angélica
  • Lope de Vega
  • autoparodia
  • fealdad masculina
  • guerra literaria
  • parodia

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