Il simbolo nel pensiero di Luigi Pareyson

At the center of Pareyson’s reflection in the different periods of his thought (Aesthetics of formativity, Ontology of inexhaustibility, and Ontology of freedom), the symbol constantly shows according to a path of progressive ontological-tragic radicalization the dialectics between physicality and spirituality connected to the forms and to their completeness. It indicates also the inseparability of physicality and transcendence through which man expresses in his language the divine revelation as well as, in the last instance, the man himself in his being a problematical coincidence of relationship with himself and with others.