El vino y sus atributos culturales e iconográficos en la escritura lorquiana

[Machine translation] Looking closely at the Lorquian script, vines, vines, branches and wines appear practically everywhere, sometimes with isolated references, at other times with a complex network of particularly significant allusions. As with all the plant images that enter the literary universe of Granada, the literal meaning of vines, their product and their effects, in most cases, coexists with symbolic values capable of relating either to eros in its cosmic and destructive meaning, or to existential alienation. Finally, in dramaturgy, since Lorca's theater is an experimental theater that attempts to return to the origins of ancient rituality, giving unprecedented values to the subject of sacrifice, the reference to Bacchus can work perfectly as a metatheatrical allusion to the primal Dionysian dance, which, by the way, shares a lot with the choreography of Andalusian singing.