Abstract
The use of ultraviolet and visible diffuse reflectance spectrophotometry as a preliminary technique in the
investigation of illuminated manuscripts is discussed. Because ancient manuscripts are amongst the most
fragile and precious artworks, characterisation of the materials used in their decoration should be
performed using non-invasive analytical methods. Ultraviolet and visible reflectance spectrophotometry
with optical fibres (FORS) allows non-invasive identification of several colourants used by ancient
illuminators, causing no damage or mechanical stress to the artworks subjected to analysis. Identification
is usually based on the comparison of analytical data with a spectral database built from painted areas on
parchment, created by preparing paints according to ancient recipes as described in medieval technical
treatises. Such database and the spectral features of the colourants analysed are discussed, along with
the benefits of extending the spectral range of analysis into the shortwave infrared (to 2500 nm). FORS
can be best appreciated as a rapid preliminary tool that offers an overview on the main colourants
employed and guides the selection of painted areas of manuscripts on which more selective techniques,
such as X-ray fluorescence or Raman spectroscopy, can be employed for a more complete and accurate
identification.
| Lingua originale | Inglese |
|---|---|
| pagine (da-a) | 1488-1500 |
| Numero di pagine | 13 |
| Rivista | Analytical Methods |
| Volume | 6 |
| DOI | |
| Stato di pubblicazione | Pubblicato - 2014 |