Abstract
The aim of this article is twofold. First, it collects and discusses the evidence that supports A. M. Belardinelli’s identification of the speakers in lines 150–271 of Menander’s Sikyonioi; her reconstruction can also be strengthened and improved upon in some important details. Further, a re-examination of line 169 allows for a new interpretation of the staging of the play: three stage doors need to be active, and the third stage building is a shrine which Eleusinios enters to take part in the sacrifice.
| Original language | English |
|---|---|
| Pages (from-to) | 51-65 |
| Number of pages | 15 |
| Journal | THE CAMBRIDGE CLASSICAL JOURNAL |
| Volume | 67 |
| Publication status | Published - 2021 |
Keywords
- Ancient Greek Comedy
- Greek Language and Literature
- Menander
- Sikyonioi
- Staging
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