Pulp dubbing : doppiaggio da rapina?

[Machine translation] By carrying out an accurate analysis of the screenplays written by Quentin Tarantino, it is possible to recognize a series of common characteristic traits that act at various levels, creating a sort of intertextual continuity between the texts. Analyzing the adapted Italian versions, it was found that translation strategies have often opted for choices that, although functional within the single line or the individual film, operate at the expense of this intertextual continuity: most of the elements that are recurring in the original screenplays are not recurring even in the dubbed versions. The result is a consequent general depersonalization of the author's style in the Italian adaptation. In the present study, we wonder whether or not it is permissible to translate a film by extrapolating it from the macro (con) text of which it is inevitably part, consisting precisely of the other works written by the same author.