Abstract
[Machine translation] The series of lessons “Homo Homini Homo. Fragments and figures of an anthropology” contrasts with Hobbesian (“Homo homini lupus”) or Spinozian (“Homo homini deus”) anthropology, a philosophical and legal vision inspired by Vico and Pico, law and humanities and visual legal studies. The first volume constitutes a fresco aimed at criticizing the myth of the separation between the humanist birth of perspective and the previous figural culture, up to Dante: analyzing the theological and political continuity between painting, theater, cinema and the contemporary 360° view of the robot. Starting from the analogy between Plato's cave, the immersive one of virtual reality and that of the fictional case of Lon Fuller located in 4300 AD - in which four speleologists locked in a cave become cannibals to survive and are found guilty of murder - a non-Hobbesian anthropology, introducing the problem of evil and sacrifice as the foundation of the very existence of society.
| Translated title of the contribution | [Machine translation] The right screen. Visions from the cave. Vol. 1 Letter/Spirit, Perspective, Eye of the Machine, |
|---|---|
| Original language | Italian |
| Publisher | Mimesis |
| Number of pages | 352 |
| Volume | 1 |
| ISBN (Print) | 9791222326702 |
| Publication status | Published - 2025 |
UN SDGs
This output contributes to the following UN Sustainable Development Goals (SDGs)
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SDG 10 Reduced Inequalities
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SDG 16 Peace, Justice and Strong Institutions
Keywords
- Interpretazione
- ermeneutica dei quattro sensi
- cinema
- teatro
- sacrificio
- separazione diritto-morale
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