Las piezas mancomunadas como subgénero del teatro cortesano: el ejemplo del corpus moretiano

[Machine translation] The analysis of a couple of pieces from the Moretian corpus of comedies written in collaboration, namely The Renegade of Valladolid (Moreto, Belmonte and Martínez de Meneses) and Oppose the Stars (Matos Fragoso, Martínez de Meneses and Moreto) has highlighted a remarkable courtesanization of the text, in relation to the dramatized situations, the static and refined sequences of questions of love, the very detailed annotations and the discreet laugh of the funny man with topical allusions in the palatial environment. There is also no shortage of references to palatial recreational spaces. The present work, which focuses on the other works in this corpus, attempts are made to draw general conclusions that would lead us to consider joint comedies as a subtype of courtly theater