Abstract
Combining corpus linguistics and discourse analysis, this article examines the
language used by American women of the Boomer generation to describe what it meant to
listen to rock music in the late 1960s and 1970s. Drawing on their first-hand accounts, the
study focuses on the realisation of stance through which participants construct meaning
and negotiate their positioning within a historically male-dominated cultural space. The
findings reveal that they employ emotionally rich and evaluative language. This
stance not only shapes their musical experiences but also serves as a means of resisting
dominant, often stereotypical, models of fandom by foregrounding reflective, critical, and
culturally significant forms of engagement. The study further demonstrates that
incorporating corpus methods into oral history research can uncover specific linguistic
patterns that might remain unnoticed in purely qualitative analyses. The article is relevant
to the field of linguistics and may also be of interest to scholars in cultural studies, music
studies, and memory studies.
| Original language | English |
|---|---|
| Pages (from-to) | 63-89 |
| Number of pages | 27 |
| Journal | LINGUE E LINGUAGGI |
| Volume | 71 |
| DOIs | |
| Publication status | Published - 2025 |
Keywords
- Corpus-assisted discourse studies
- memory studies
- musical discourse
- oral history
- stance.