Abstract
[Machine translation] In urban comedies, a production-reception mechanism is established., theatrical in which the feminine dimension stands out in a special way, since among ladies, protagonists, the actresses who embody them and the female audience are created a game of, mirrors that are dramatically very intriguing and effective, considering that, sometimes,, second and third can be the same. But, even when actresses and spectators don't know, superimpose, in my view, the illustrious women recipients represent the audience, privileged to this kind of pieces that, for the same reason, we could consider as a lucky, from 'genealogical comedy' to the feminine.
| Translated title of the contribution | [Machine translation] Some coves in Lope de Vega's urban comedy and their relationship with female audiences |
|---|---|
| Original language | Spanish |
| Pages (from-to) | 1-18 |
| Number of pages | 18 |
| Journal | ETUDES ÉPISTÉMÈ |
| Volume | 42 |
| Publication status | Published - 2022 |
Keywords
- Lope De Vega
- comedia urbana
- cortesanización del subgénero
- damas vs actrices
- horizonte de expectativas del público femenino
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