A vueltas con Il Fetonte (Nápoles, 1685) y El hijo del Sol, Faetón de Calderón (1662)

Andrea BALDISSERA

A vueltas con Il Fetonte (Nápoles, 1685) y El hijo del Sol, Faetón de Calderón (1662)

Translated title of the contribution: [Machine translation] Around Il Fetonte (Naples, 1685) and El Hijo del Sol, Phaeton de Calderón (1662)

Andrea BALDISSERA

Department of Humanities

Research output: Contribution to conference › Paper › peer-review

Abstract

[Machine translation] The Fetonte (Domenico De Totis and Alessando Scarlatti, Naples, 1685) is one of the most significant examples of the adaptation for the Italian musical scene of the courtly theater of Calderón de la Barca. The research aims to deepen the structural and stylistic analysis of the piece —already partially studied by philologists and musicologists— based on the relationship of intertextuality established with the direct Spanish source (El Hijo del Sol Phaetón) and in the light of the features of the operatic genre in the second half of the 17th century.

Translated title of the contribution	[Machine translation] Around Il Fetonte (Naples, 1685) and El Hijo del Sol, Phaeton de Calderón (1662)
Original language	Spanish
Pages	29-55
Number of pages	27
Publication status	Published - 2020
Event	XVIII Coloquio anglogermano sobre Calderón. Calderón más allá de España: traslados y transferencias culturales - Vercelli-Torino Duration: 1 Jan 2020 → …

Conference

Conference	XVIII Coloquio anglogermano sobre Calderón. Calderón más allá de España: traslados y transferencias culturales
City	Vercelli-Torino
Period	1/01/20 → …

Keywords

Calderón De Totis-Scarlatti Faetón Fetonte comedia ópera adaptación

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https://hdl.handle.net/11579/94822

Cite this

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title = "A vueltas con Il Fetonte (N{\'a}poles, 1685) y El hijo del Sol, Faet{\'o}n de Calder{\'o}n (1662)",

abstract = "[Machine translation] The Fetonte (Domenico De Totis and Alessando Scarlatti, Naples, 1685) is one of the most significant examples of the adaptation for the Italian musical scene of the courtly theater of Calder{\'o}n de la Barca. The research aims to deepen the structural and stylistic analysis of the piece {\textemdash}already partially studied by philologists and musicologists{\textemdash} based on the relationship of intertextuality established with the direct Spanish source (El Hijo del Sol Phaet{\'o}n) and in the light of the features of the operatic genre in the second half of the 17th century.",

keywords = "Calder{\'o}n De Totis-Scarlatti Faet{\'o}n Fetonte comedia {\'o}pera adaptaci{\'o}n, Calder{\'o}n De Totis-Scarlatti Faet{\'o}n Fetonte comedia {\'o}pera adaptaci{\'o}n",

author = "Andrea BALDISSERA",

year = "2020",

language = "Spagnolo",

pages = "29--55",

note = "XVIII Coloquio anglogermano sobre Calder{\'o}n. Calder{\'o}n m{\'a}s all{\'a} de Espa{\~n}a: traslados y transferencias culturales ; Conference date: 01-01-2020",

}

TY - CONF

T1 - A vueltas con Il Fetonte (Nápoles, 1685) y El hijo del Sol, Faetón de Calderón (1662)

AU - BALDISSERA, Andrea

PY - 2020

Y1 - 2020

N2 - [Machine translation] The Fetonte (Domenico De Totis and Alessando Scarlatti, Naples, 1685) is one of the most significant examples of the adaptation for the Italian musical scene of the courtly theater of Calderón de la Barca. The research aims to deepen the structural and stylistic analysis of the piece —already partially studied by philologists and musicologists— based on the relationship of intertextuality established with the direct Spanish source (El Hijo del Sol Phaetón) and in the light of the features of the operatic genre in the second half of the 17th century.

AB - [Machine translation] The Fetonte (Domenico De Totis and Alessando Scarlatti, Naples, 1685) is one of the most significant examples of the adaptation for the Italian musical scene of the courtly theater of Calderón de la Barca. The research aims to deepen the structural and stylistic analysis of the piece —already partially studied by philologists and musicologists— based on the relationship of intertextuality established with the direct Spanish source (El Hijo del Sol Phaetón) and in the light of the features of the operatic genre in the second half of the 17th century.

KW - Calderón De Totis-Scarlatti Faetón Fetonte comedia ópera adaptación

UR - https://iris.uniupo.it/handle/11579/94822

M3 - Contributo in Atti di Convegno

SP - 29

EP - 55

T2 - XVIII Coloquio anglogermano sobre Calderón. Calderón más allá de España: traslados y transferencias culturales

Y2 - 1 January 2020

ER -

A vueltas con Il Fetonte (Nápoles, 1685) y El hijo del Sol, Faetón de Calderón (1662)

Abstract

Conference

Keywords

Access to Document

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